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                        moral  instructions  of  a  general  nature  are  also  included  in  these  songs.
                        Biblical songs recount stories from the Bible, giving them a local colour.
                        For example, the song at the smearing of the palms and feet of the bride
                        alludes  to  the  purity  that  is  required  of  the  bride  who  enters  the  sacred
                                     11
                        marital stage.
                           3.6.1.2    Asking Permission from the Assembly

                               Another very important characteristic is that the person who has the
                        main role in the ceremony has to ask three times to obtain permission from
                                                                                    12
                        the  assembly  gathered,  before  they  can  start  the  ceremony.   The  person
                        asks  formal  permission  from  the  assembly  reminding  them  of  their
                        superiority (a privilege granted by King Cheraman Perumal). He has to ask
                        three times. The first two instances are ignored by the assembly, and at the
                                                                             13
                        third, he is given permission verbally: “Yes, we heard”.
                           3.6.1.3    Special Role for Women and Elders

                               It  is  interesting  to  note  that  all  these  customs  are  keen  to  assign
                        special roles to women and elders of the family. Women are given eminent
                        roles  on  these  occasions,  which  manifests  that  women  are  honoured  in
                                          14
                        Knānāya families.  The role of close relatives in the ceremonies refers to
                        the  strong  support  expected  of  them  in  the  celebration  of  marriage.  It  is
                        evident that for the Knānāya community family signifies a communion of
                        persons, where each and every member of the family has special duties and
                                                                                              15
                        responsibilities to protect and safeguard the unity of marriage and family.





                        10
                           Cf.  JUSSAY,  P.  M.,  “The  wedding  Songs  of  the  Cochin  Jews  and  of  the  Knānite
                        Christians  of  Kerala:  A  Study  in  Comparison”,  in  J.  VELLIAN  (ed.),  Symposium  on
                        Knānites, The Syrian Church Series, Vol. XII, Kottayam, 1986, pp. 82-83.
                        11  Cf. VELLIAN, J., Knānite Community History and Culture, Syrian Church Series Vol.
                        XVII, Jyothi Book House, Kottayam, 2001, p. 22.
                        12  Cf. VELLIAN, J., “Marriage Customs of the Kinanites”, in J. VELLIAN (ed.), Crown,
                        Veil, Cross, Syrian Church Series Vol. XV, Kottayam, 1990, pp. 33-34.
                        13  Cf. Ibid., p. 33.
                        14
                          Cf. VELLIAN, J., Knānite Community History and Culture, Syrian Church Series Vol.
                        XVII, Jyothi Book House, Kottayam, 2001, p. 22.
                        15
                          Cf. PULLAPPALLY, JOHN P. M., “Socio-religious Customs of Knānites (Malayalam)”,
                        in  J.  VELLIAN  (ed.),  Symposium  on  Knānites,  The  Syrian  Church  Series,  Vol.  XII,
                        Kottayam, 1986, pp. 105-106.













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