Page 50 - Edessa, 'The Blessed City'-01, by J. B. Segal (Oxford, 1970). Chapters 1-3
P. 50

BARDAISAN                                  37

            It  is easier to do good than to abstain from  evil.  For  good is part of man, and therefore
            he  rejoices when he  does  it,  but  evil  is  the  activity  of  the  enemy  and  man  does these
            odious  things  when he is disturbed  and unhealthy  in his nature. ...  By its  nature the
            lion  eats flesh; and for this  reason all lions  are eaters  of flesh. . . . And the bee makes
            honey by which it sustains itself; and  for this reason all  bees are honeymakers. And  the
            ant  lays up  for itself  a store in summer,  that  it may sustain itself  from  it  in the winter;
            and for this  reason all ants do likewise. . . . But men are not  governed  in this  manner;
            but  in the things belonging to their  bodies they maintain their  nature  like animals,  and
            in the  things which  belong  to their  minds  they  do that which  they  wish,  as  being  free
            and with power and as the likeness of God. . . .
            When  God  wishes,  all  things  can  be  without  confusion;  there  is  nothing  that  can
            restrain his great and holy will. . . .
            In  the  constitution  of a  new world  all  evil  movements  will  cease  and  all  rebellion  will
            come  to  an  end;  and  the  foolish  will  receive  persuasion,  and  short-comings  will  be
            made  full,  and  there  will  be  peace  and  well-being  by  the  gift  of  the  Lord  of  all
            creatures.
              The  genre  of  literature,  however,  which  Bardaisan  made  peculiarly  his
            own,  was poetry. He composed a hundred   and fifty hymns, the number of the
            Psalms  of  the  Bible,  around  the  themes  of  his  religion  and  philosophical
            doctrines. The  rhythm of his poetry was marked by stress,  as was the  epitaph
            of  Shalman bar  Kawkab. The   hymns   were then  set  to  music  and  achieved
            immediate and lasting popularity.  St. Ephraim  declares sadly:
            [Bardaisan]  created  hymns  and  united  them  with  musical  accompaniment,  and  he
            composed  psalms  and introduced  metres: with  measure and  weights  he  divided  words,
            And  the simple  he  corrupted  with bitterness in  sweetness,  the  sick who did  not  choose
            healing  nourishment.

            Fragments  of  Bardaisan's verse  have survived  in  the  work of  St.  Ephraim,
            unfortunately too scanty for us to judge their poetic merit.I We have, however,
            a longer extract  quoted  by an eighth century theologian, Theodore  bar Koni,
            in which Bardaisan  expounds  his  cosmological theories.2
            . . . Five  essences  from  old were they in essence; but they relaxed and strayed.
            At last they were convulsed,3 as though by some mischance; the wind blew in its might;
            one crawled4 and  met  its  fellow.
            The fire kindled the  forest, the  black cloud which no fire begot,  grew thick; the  limpid
            air  grew  foul.
            They were mingled  all together,  their  elect origin was assailed.  They  began to bite each
            other like ravening beasts.
            Then  sent their  Lord  to them a word of thought.  He  bade the wind to cease; it  turned
            its course to  itself.

              1  They have  now been edited by H.  J.  W.  3  Or 'were set in motion'.
            Drijvers,  Bardaisan  of  Edessa,  130  ff.  4  The  text is obscure.
              2  See p. 44 below.










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